Lex Anteinternet: Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.

Lex Anteinternet: Cliffnotes of the Zeitgeist, 64th Edition. Things ...: 

Cliffnotes of the Zeitgeist, 64th Edition. Things authentic and important.

Why there?

On Saturday, March 30, Pro Hamas protestors interrupted the Easter Vigil Mass at St. Patrick's Cathedral in New York City.

Why St. Patrick's?

For the same reason, most likely, that LGBTQ+ figures had a protesting funeral there recently. People are drawn to Catholic places, as they're real, and therefore attention is paid to them.

Why her?

Courtney Love, in an interview with Standard, stated; "Taylor is not important. She might be a safe space for girls, and she's probably the Madonna of now, but she's not interesting as an artist."

This followed Billie Eilish criticizing, sort of anonymously, "wasteful artists" who put out multiple vinyl editions, an apparent softball for sustainability.  She later said her comments weren't directed at Swift.

Hmmm. . . 

Why are these chanteuses dissing Taylor?  

I don't really know, but I will note that Love commenting on who is important and interesting in laughable.  Is Love "important" or "interesting"?  If she is, she might be interesting as she's the late wife of the tragic Curt Cobane, whom I don't find to have been particularly important, but certainly tragic.  And for Eilish, she's sort of a teenage train wreck who probably needs to get over her weird diet and flipping between hiding her form and flaunting it.

Taylor is interesting because she's a musical success.  I don't like her music, which I find to be juvenile, but I will note that appearance wise she's a throwback almost to the 1940s, and appears to have gained success while being basically normal in every fashion.  

Culturally, therefore, she might be sort of important in a way.

Love, and Eilish, on the other hand, might be fairly unimportant in every sense.  Musically, right now, it's hard to see what actually is important.  Whoever they are, they aren't in pop music.  

Indeed, much of society seems to be grasping for the authentic and important right now, without much out there in the culture offering it.

Appearances

Back in November, I posted this item:

What the Young Want.* The Visual Testimony of the Trad Girls. The Authenticity Crisis, Part One.

Since that time, this trend locally has noticeably increased.  It's really remarkable.

For whatever reason, I'm a student of people, so I take notice of what they wear.  I'm probably in a minority of sorts that way.  What people wear at Mass is a common topic in Cyber Catholic circles, but the recent turn towards the conservative amongst young, white, female Catholic parishioners is really remarkable.  It's a real rejection of the cultural norm of our era.

Indeed, very recently, even amongst those young women who were part of this group, there's suddenly a change.  One young woman who is routinely at Mass with her family on Sundays, and who typically showed a lot of shoulder (no, there's no problem with that) is now covering up hugely.  Something's changed.  It doesn't, however, carry over to Hispanic or Native American young women, both of whom continue to dress the way they have.  Hispanics have always dressed very conservatively at Mass, but not in a trad fashion. They're keeping on keeping on with that.

News, real news but in a rumor fashion, leaked out recently that the Ukrainian Greek Catholic Byzantine Church is looking at putting in a mission in Casper, which would be a mission of a mission.  I don't know how many Ukrainian Catholics there may be in town, but I'll bet it's a tiny number.  I also bet that the mission church that's thinking of establishing a mission here, which is out of Cody, serves a mostly non-Eastern Rite community.  

Something is going on there too.  At a time at which some in the Latin Rite seem focused on a topic that's frankly jumped the shark, by and large, and which is really a matter of European culture, not biology, the young and rank and file in the pews seem to be moving on.  

Becoming a parody of yourself

One of the risks of taking the long reach for something is that you can end up actually becoming unauthentic in your quest for authenticity.

I'm reminded of Courtney Love again.

On her Wikipedia page, there's a picture of Love wearing a kokoshnik, a stiff hat associated with Russian women.  Russian women don't wear them anymore, and I'm sure they haven't for eons.  She's wearing it with a miniskirt.  It looked absurd, but was probably meant to make a statement.  Or here's another example:

The kind of dumb stuff you say when you actually really care about "your 'basic' fashion sense".

I don't know who Japanese Breakfast is (or for that matter what an actual Japanese breakfast is) but they've showed up on this Twitter headline:

Japanese Breakfast is too busy returning to Coachella and making 'music for bottoms' to care about your 'basic' fashion sense

Oh, bull.  That's the exact thing you say when you've tuned your fashion sense to look like you don't have a fashion sense, so you can appear to stay edgy for Coachella.

M'eh.

Exactly.  

I note this as in the pews are a young couple, they're not married but perhaps engaged, whose family I somewhat know.  From a very conservative background, they're trying to affect the disaffected but conservative look to the max.  Unwashed hair and, for the young man, probably third or fourth hand overcoats from the 1970s with huge hounds tooth pattern. The young woman wears, of course, a chapel veil but also is affecting plain to the maximum extent possible, which is detracting a bit from her appearance.  I do love her very round, plain glasses, however.

Anyhow, when going for something crosses over into sort of a parody, you've gone too far.

Lost

Anyhow, I think this trend has been going on for a while.  It explains the entire Hipster look that's still with us, and was much in force several years ago.

Some days, when I leave the office, there's a young woman coming in.  She's either a Native American or a Hispanic from somewhere south of the border.  She's always dressed very conservatively, with dresses that remind me of what Latin American women traditionally wear.  She always has a big smile when you see and acknowledge her.

She's authentic.

Last prior edition:

Cliffnotes of the Zeitgeist, 63d Edition. Strange Bedfellows.

Apostolic Christianity, Catholic, Donald Trump, Education, homosexuality, Israeli Hamas War, law, Mormon, Pope Francis, religion, Sex, theology, Zeitgeist

Lex Anteinternet: St. Patrick's Day

Lex Anteinternet: St. Patrick's Day: 

St. Patrick's Day

A Celtic cross in a local cemetery, marking the grave of a very Irish, and Irish Catholic, figure.

Recently I ran this item: 

Lex Anteinternet: The Obituary: Mira qué bonita era by Julio Romero de Torres, 1895.  Depiction of a wake in Spain. I didn't have him as a teacher in high school, but I...

One of the things this oituary noted was:

"One more St. Patrick’s day craic for you, Dad."

That's nice, but what does that mean?

From Wikipedia:

Craic (/kræk/ KRAK) or crack is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland.It is often used with the definite article – the craic– as in the expression "What's the craic?" (meaning "How are you?" or "What's happening?"). The word has an unusual history; the Scots and English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English. Under either spelling, the term has attracted popularity and significance in Ireland.

A relative who know the decedent well told me that in later years he really got into "being Irish" and had big St. Patrick's Day parties.

But is that Irish?

Not really.  That's hosting a party.

Granted, it's hosting a party in honor of the Saint, sort of. Or perhaps in honor of Ireland, sort of.  And there's nothing wrong with that whatsoever.  After all, "holidays" comes from "holy days", which were "feasts".   There are, by my recollection, some feast days even during Lent, and for that matter, it's often noted, but somewhat debated, that Sundays during Lent aren't technically part of it (although this post isn't on that topic, perhaps I'll address that elsewhere.

And St. Philip Neri tells us, moreover,  "Cheerfulness strengthens the heart and makes us persevere in a good life; wherefore the servant of God ought always to be in good spirits."

So, no problem, right?

Well, perhaps, as long as we're not missing the point.

The Irish everywhere honor this day, and some of that involves revelry.  Traditionally it was a day that events like Steeple Chases were conducted, sports being closely associated, actually, with religious holidays on the British Isles.  But the day is also often marked by the devout going to Mass, and as the recent Irish election shows, the Irish are more deeply Catholic than some recent pundits might suggest.

Perhaps it might be best, really, to compare the day to the feast of Our Lady of Guadalupe in North America, which is widely observed by devout Catholics, and not only in Mexican American communities.

So, I guess, a purely bacchanalian event, which is so common in the US, doesn't really observe the holiday, but something else, and that risks dishonoring the day itself.  Beyond that, it's interesting how some in North America become particularly "Irish" on this day, when in fact the root of the day, and the person it honors, would import a different type of conduct entirely to some extent, if that was not appreciated.  Indeed, with many, St. Patrick would suggest confession and repentance.

Am I being too crabby?  

Probably, but we strive for authenticity in our lives and desire it.  That's so often at war with our own personal desires which often, quite frankly, aren't authentic.  Things aren't easy.

Agrarian(s) of the Week: The Southern Agrarians.

Farm in Louisiana, 1940.

A few weeks ago, with John Pondoro Taylor, on our companion blog Going Feral, we made a controversial entry.  Keeping with that theme, we do the same here.

If a person has agrarian interests, there's no escaping The Southern Agrarians as there is not escaping their magnum opus, I'll Take My Stand.  It is one of the great, if highly flawed, works of modern agrarian thought.

The irony, I suppose, of the work and the group needs to be mentioned from the onset. They did not make their living from the land, although it's not necessary to do that in order to be an agrarian. Rather, they were twelve men of letters who wrote what amounted to an agrarian last stand, which they were very conscious of it being at the time.  They were:

• Donald Davidson, from Tennessee, poet, essayist, reviewer and historian. He was also a segregationist.
• John Gould Fletcher, from Arkansas, poet and historian.  He was the first Southerner to win the Pulitzer Prize
• Henry Blue Kline, a writer educated at Vanderbilt who taught at Tennessee, before ironically taking government employment for the rest of his life.
• Lyle H. Lanier, an experimental psychologist from Tennessee.
• Andrew Nelson Lytle,, also of Tennessee and also of Vanderbilt. a poet, novelist and essayist
• Herman Clarence Nixon, of Alabama and a political scientist.
• Frank Lawrence Owsley, also of Alabama and Vanderbilt. a historian
• John Crowe Ransom, of Tennessee and Vanderbilt poet, professor, essayist
• Allen Tate, poet, and of Tennessee and Vanderbilt.
• John Donald Wade, of Georgia, and a professor at Harvard and Columbia, biographer and essayist
• Robert Penn Warren, of Kentucky, and who was a university professor in a variety of universities, and a poet, novelist, essayist and critic, later first poet laureate of the United States
• Stark Young, of Mississippi, a novelist, drama and literary critic, playwright

What marks them is their monumental work, which was a Depression Era, anti-New Deal, strike against the modern world and capitalism. It is flawed, in that its view of the American South was highly romantic, and frankly they were not bothered by its inherent racism and manged to basically not even see it.  The work, while important, includes muted strain of Lost Cause yearning which are not admirable at all.  Indeed, it's hard not to notice that they didn't notice that the class that was hurt the most by New Deal farm policies were African American tenant farmers.

Still, as noted, there'rs no escaping this work.  It remains the magnum opus of American Agrarianism.